Category Archives: Tolbooth Lanark

A Wynd up For Bernard

Now is that a ‘wind up’ as in a coiled spring or a ‘wind up’ – as in your sails? With all the subtleties of the English language it’s easy to to get confused but here a ‘Wynd’ has yet another meaning – a narrow passageway or a Close as they are called here in Lanark.

Bernard’s Wynd is one of Lanark’s twelve Closes which map the course of the town’s circulation between the High Street and the surrounding streetscape. Back in 1777, it was declared a common passage to the South Vennel. From the High Street, (south side) all that you see is this narrow entrance.

Located between the Horse and Jockey and Hays Travel – you will see that the entrance is set back – revealing a small slice of the old building which marks the line of the earlier street frontage and one of the locations that William Wallace lived in during the 13th Century.

If you look around the back and look up, you can see medieval window arches within the masonry, which thanks to Kirsten giving me a timely nudge, I’ve since been included on this drawing!

Bernard’s Wynd once led to the factory of Bernard Bell, principal shoemaker in the Royal Burgh. It was during the 17th and 18th centuries that Lanark’s biggest and richest craft was shoemaking – helping to meet the demand for stout footwear in Glasgow.

When I began planning this exhibition, I was going to work on A4 size boards but this format wasn’t ideal to capture the feeling of being enclosed in a narrow space. It was time to rethink.

No window arches on this format!

The proportion 2:3 was a better fit to express the narrowness of these Closes and to include some of the details that remain as clues to the past, like the fragments of window arches.

Work in progress – building up layers of colour

I wanted to simplify the work to highlight the Close itself – they have been fitted with new lighting to invite movement through them in safety – they are such important aspects of the town’s history and newcomers to the town may not realise their significance.

Back to work in progress. There are a few tips to help guide yourself along – one of which is to hold the image up in a mirror and view it in reverse, or to stand back and view it from a distance but a great tip is to flip the image into black and white to check the tonal composition is balanced.

As I sign off, I’m really happy to know that all the artwork prepared by Kirsten and myself is now framed and ready to hang over the weekend ready for open doors on Monday 26th April 2021.

‘Close Encounters’ is on at the Tolbooth Lanark until 8th May. All very welcome – please wear a face covering and keep to social distancing – thank you, and thanks as always for reading.

Ronnie

Hebridean Waters

A new exhibition went up in the Tolbooth Lanark last weekend, titled ‘Coasts and Rivers’. This is Lanark’s invitation for local artists to participate in Scotland’s 2020 celebration of:

‘Scotland’s Year of Coasts and Waters, a year that will spotlight, celebrate and promote opportunities to experience and enjoy Scotland’s unrivalled coasts and waters encouraging responsible engagement and participation from the people of Scotland and our visitors’.

It’s a step away from my usual buildings but for the past couple of years I’ve been exploring ways to express the beautiful landscape up here through attending a variety of art classes.

I’d been attending a year long drawing/mixed media course held at Paintbox School of Art in Cockenzie until lockdown threw that curve ball. Some of the classes went online so I signed up for their artist’s retreat and one of the morning meditation classes had the theme of oceans.

It involved filling a dozen or so sheets of A4 paper with a whole variety of fluid marks, the movement of ink on wet paper flowing to the sounds of the sea shore. I used three inks – Paynes grey and two blues, plenty of water for misting, sticks and feathers and the bottle dropper to make marks.

I set aside the papers to use as collage for the entry to the Oceans exhibition, thinking about the image of the Hebridean sea that I photographed on our way to St Kilda a few years ago. I wrote about it here.

Some weeks later, I prepared a surface with broad sweeping brush marks in similar colours but using acrylic paint to form a foundation layer, adding in some textured medium. I then tore a few sheets of the collage paper into narrow curved strips and layered them on to the base layer.

I then used inktense sticks to add highlights and deeper shadows.

Finally, to add the metallic sheen to the highlights, I added silver gouache using a cocktail stick held on its side to create irregular fillets of light.

Here’s the finished artwork. I did a double check on the tonal values by seeing how it looked in black and white and was happy with the result.

‘Hebridean Waters’ framed and ready for the exhibition! There’s a wide and interesting variety of work up in the Tolbooth, I think the subject has been appealing and just what we need to get us back in the flow!

Thanks for reading and if you live near Lanark, hope you can come along. The subject has generated some really beautiful and soothing art.

Ronnie 🙂