Category Archives: Architecture

A Splinter of Light

Visitors Room Ward 7D Fiona Stanley Hospital
Flowers for someone

On the top floor of the brand new Fiona Stanley hospital in Perth, there’s a dedicated visitors’ room complete with all you need to help yourself to a brew or chilled water thanks to donations from the Australian #DryJuly.  A perfect refuge for me who had just arrived from UK and was all at sixes and sevens with the seven hour time difference.

sketch of visitor room fiona stanley hospital
Boiling and Chilled water on tap, Ward 7D

This was an unplanned, hasty visit as my sister had been admitted to intensive care then moved to ward 7D.  She was so poorly.

I unplugged from all social media simply because I wanted to be fully present with my Aussie family.

My sketch book though is a great soother and even these bins became quite a focus when everything else was just too hard to take in. In spite of clear labels, when under stress – no one knows what to throw where!

bins in visitors room fiona stanley
Bins of confusion

Nights alternated between the ward and my temporary Aussie home, looking toward the river and my nieces’ childhood tree house, built to last over 20 years ago, by their Dad.

sketch of the tree house
Childrens’ tree house
sketch of gum leaves perth
Gum leaves

Every other night was spent on the recliner with Anne, on the top floor of the 5 star, state-of-the-art hospital, overlooking the city skyline.  A room with quite a view!

 

Towards the end of my visit, my sister gradually began to recover. Looking out between the blinds, we noticed an unexpected sky treat – a splinter of light which burst into a huge illuminated candle on the corner of Perth’s landmark QV1 building, designed by the architect Harry Seidler.

QV1 buildin Harry Seidler perth
5 minutes to six, a splinter of light on the QV1 building, Perth
splinter of light on harry Seidlers QV1 building
Splinter of light intensifies – 4 minutes to six
burst of light
6pm. Dazzling light on Harry Seidler’s QV1 building, Perth.

These are rare and treasured moments.

sketch of chair in Fiona Stanely hospital
Progress!

Asking to ‘go out’ for a coffee is a significant sign of improvement!

This has been an unforgettable and profoundly moving trip. Anne remains an outpatient under the watchful care of her healthcare team with a large question mark as to what treatment next. We are all so grateful for the extraordinary care, prayers and kindness given to Anne. They are received by all our family with gratitude.

going home
Farewell Perth

This post is for my nieces – with love and thanks, from Aunty Ron XX

A Stately Stoke Terrace

Pen and ink drawing of Fenton, artwork by Ronnie Cruwys
Corner of Hitchman Street and Victoria Road, Fenton, Stoke-on-Trent

Hitchman Street holds some interesting connections for me. When I first saw this red brick terrace, I was on my way to to deliver a framed print of an Audlem street to Williams of Audlem. Not knowing anything about the terraces in Fenton, I looked them up when I got home.

I was surprised to find that the land that these houses were built on was purchased in 1765 by the architect William Baker of Audlem. William Baker (‘the first’ as there were a few more to follow) bought ‘the estate and manor of Fenton Culvert, together with pottery, for his second son William Baker II’ (extract from Stoke Council’s conservation area appraisal). However, it was some generations later when William Meath Baker, the great grandson of the first William, commissioned these terraces. It’s all explained in the conservation appraisal.

William Meath Baker had inherited the Baker Pottery nearby and built these houses (and many others) to provide accommodation on a philanthropic model for the workers associated with the Baker Pottery.

red brick terrace in Fenton Stoke on Trent drawn by artist Ronnie Cruwys
Hitchman Street, Fenton

The Baker Pottery has gone now, but the kilns remain.

victoria-road-baker-kilns-fenton
Baker Pottery Kilns visible from Victoria Road
Pen and ink drwing of Victorian terracotta tile rosettes
Another example of the terracotta tiles on the gables.

Looking up these old threads, it never fails to unearth other connections. When I worked as a conservation architect in Stafford, I spent ten years as part of the team looking after the repair and upkeep of the grade 1 listed Chillington Hall, the south wing which was designed by Francis Smith of Warwick in 1724. Francis Smith was the celebrity architect of the Midlands in his day and it turns out that one of Smith’s pupils was the young William Baker of Audlem, learning from the master.

I’d like to think that an appreciation of good design has been passed down the generations. It certainly  shows up here in these terraces.

To see the drawings in full as well as a few more tile sketches, please visit www.drawingthestreet.co.uk

Thanks for reading,

Ronnie

 

Tile Anorak

I’ve been keeping my eyes out for terracotta tiles which jazz up the fronts of late Victorian buildings and have begun to sketch and record them – their patterns and dates if provided. I had a hunch that they might give me a means to map connections with times and places.

Yesterday I was sketching in Islington, first along the Hornsey Road and then along Upper Street when I looked up and saw the very same tiles that I had sketched on a primary school in Newcastle-under-Lyme.

Terracotta tiles
246 Upper Street, Islington

Yes, I’ve turned into a tile anorak…

However, the above sketches are the tiles which I drew from Hassell St School:

Victorian terracotta tiles, Newcastle under Lyme
Hassell St School, Newcastle-under-Lyme, Staffordshire

I’d love to know where these tiles were made. One source could be Blashfield’s

Another could be Gibbs and Canning of Tamworth.

Either way, the primary school in Newcastle-under-Lyme seems to have been ahead of the ornamental facade game by a few years – go ‘Castle!

Seen any tiles near you? Send me a pic with the location and any other info and I’ll add it to the log.

Thanks for reading and happy Friday wherever you are.

Ronnie

 

Terracotta Trail

Pen and ink stetch of terracotta tile newcastle Staffordshire Cruwys
Terracotta tile, King Street, Newcastle under Lyme

Last summer, I sketched a Victorian building in Newcastle-under-Lyme. This was a fine example with plenty of details , especially the terracotta tiles. Terracotta means ‘fired earth’ -and describes a form of  moulded clay masonry of a finer quality than standard bricks.

Sketching the building as a whole meant losing some of the finer details so I took a bit more time to draw these ornamental  terracotta tiles.

A month or so later, I was sketching in London and spotted these tiles on Cross St., Islington.

Cross St Islington.jpg

The following month I noticed more tiles on The Swimmer, the pub around the corner from where our son lives off the Holloway Road.

The Swimmer sketchbook.jpg

The Swimmer sketchbook2.jpg

It was then that I decided to keep a drawn record of all the architectural terracotta tiles that I come across whilst sketching and drawing the street as they form a quiet signature of a time and place. Looking into these tiles a little further, I read that ‘by the 1860s a number of eminent English architects had recognised terracotta’s value for mass-producing ornament and fine masonry by casting from an original, combining new technology with traditional craftsmanship’. Read more about this here

I thought I would make a start by sharing these sketched examples. The sketch below was a postcard original of the Swimmer tiles for a recent fund raiser for Shape Arts

the-swimmer-islington

Finally, I will sign off with this one sketched today – a collage of tiles from a local school – Hassell Primary, Newcastle-under-Lyme.

Hassell School tile 4.jpg

Thanks for reading,

Ronnie

Leek Sunny Side

York Street, Leek, North Staffordshire
York Street, Leek

I did a double take when I walked past York Street, Leek this summer. The most ordinary row of terraced houses transformed by the green-fingered, creative occupants into a shared garden enjoyed by inhabitants and passers-by alike. What a generous attitude!

York Street, terraced houses of Leek
Street Garden

It’s been a while since I’ve drawn a residential street, the last one was Well Street in Newcastle-under-Lyme. Looking back, I seem to be getting a bit more colourful!

This drawing has now been scanned and is up in full on my website Drawing the Street. The first few prints are now ready and they look great, thanks to Simon and Valerie at Smith York Printers, a signed limited edition of only 30 prints, 60cm long and £75 each, ready to go up in Gallery at 12‘s exhibition ‘A Winter Gathering’ at the Foxlowe Arts Centre, Leek.

Hope to see some of you there at the Foxlowe Preview on Friday 18th November, at 7:00 pm.The exhibition runs until New Years Eve.

More about drawing the second Leek street to follow soon….

Bury and hilton and terraced houses on York Street Leekt
Bury Hilton Surveyors on York Street, Leek

Thanks for reading

Ronnie

flowers on york street leek
Hearts in the window and flowers on the door

 

 

 

From Congo to Burslem

Wedgwood Institute Cruwys
Some of the intricate work above the entrance to the Wedgwood Institute, Burslem

Hello again! It’s been a while since I wrote but I’m into the last few months preparation for my final show for the icon diploma I’ve been working towards the last three years. All 12 icon students will have their work on show at the Prince’s Drawing School in Shoreditch, in 18-21 October.

There’s still plenty of drawing going on alongside and I thought you might be interested to see some work in progress pics of an elaborate doorway in Burslem, the main entrance to the extraordinarily beautiful Wedgwood Institute, here in Staffordshire.

Pencil drawing on watercolour paper with ochre wash
First light washes of English and French ochres

Quoting from its website, the Wedgwood Institute is a ‘Mid-19th century site with important artistic detail, built by public funds for adult education’. It has been included on the English Heritage list of Buildings at Risk and in 2010 named as one of the top 10 most endangered Victorian buildings. However, its future is looking much more secure now that the Prince’s Regeneration Trust and the Burslem Regeneration Company have made a commitment to its long term restoration.

Back to the drawing. One of the things we’ve learnt on the icon course is how to make our own colour from minerals. I couldn’t resist using the minerals which I’d ground up for icons on this drawing as I’d bought the raw minerals from the Burslem Lapidary Shop, just around the corner from the Wedgwood Institute.

This is a fairly big drawing, approximately A1 size on a very smooth, heavy (500gsm) watercolour paper. I sized the paper with a light wash of  English Ochre pigment and gum arabic, then used French Ochre Havanna to build up the brick colour. I’ve gone for a softer drawing in pencil as I’m hoping to portray the intricate workmanship without it looking too heavy.

pencil drawing and ochre wash of the Wedgwood Institute
Using a mix of ochres for the brick and stonework.

There are tiles laid in a basket weave patterns, in terracotta, buff and a bright green which immediately made me think of using the ‘Burslem malachite’ with a little azurite, even though it’s actually mined in the Congo!

pencil drawing of the entrance to the Wedgwood Institute
Green, terracotta and buff tiles above the Wedgwood Institute, Burslem

Hope to post more as the rest progresses.

Thanks for reading!

Ronnie

 

 

 

Old Maxims Disco Diva

Maxims ghost view small
The former Maxims night club, a ghost of its former self, with St Giles’s church tower behind

Hello! A warm welcome and thank you to recently subscribed drawing enthusiasts.

I’ve been working on this drawing in my local class taught by David Brammeld. It was only when I began this drawing that I discovered that one of my classmates was a regular Maxims  disco diva at this legendary night spot! It used to be known as the ‘Place Mate’ when it was owned by the same proprietors as ‘The Place‘ in nearby Hanley where disco was born and David Bowie and Led Zeppelin once played as pop youngsters.

However, when the dual carriageway was constructed around Newcastle-under-Lyme, Maxims was severed from the life blood of the town centre and now all that is left are these empty shells.

Maxims Buildings 2014.JPG

I wouldn’t have given these buildings much thought if it hadn’t been for the comments given by Moya when I displayed some of my drawings in Newcastle Library a few years ago:

Stand with your back to St Giles. Look across the dual carriageway to what used to be Maxim’s Night Club. This used to be the old Catholic Club and overspill rooms for St Marys School.  Also, it was the Old Pomona pub. When they took Evans sweet factory down behind it, they discovered that there was a courtyard and it had been a coaching Inn….Sammy Bell’s pottery was excavated in the car park/ courtyard area. The base of the Kiln is in the grounds of Newcastle Museum...’

The gloomy front masks a surprising gable window behind with a mosaic of pottery fragments.

Maxims round the back 1 Cruwys sm
The building is considered to date back to the mid-1600’s

From local records, it was bought by Samuel Bell in 1724 for £156 who set up a potworks there and then in 1729, took  out a patent for ‘Agate Ware’.

back of Maxims Night club NUL

Not knowing these buildings, I walked around the back and peered through the hoardings which now surround the site. I was so surprised by what I saw that I thought they were definitely worth recording as part of my street records. However, a flat elevation wasn’t going to give any idea of the complexity of the roofs and layout so I opted for a sketch perspective instead.

I used Dr Martin’s Payne’s Grey ink on a sheet of  Khadi cotton rag paper, a heavy, textured and grainy paper – lovely to draw on.

Maxims black and white small
Back of the former Maxim’s buildings

There are plans underway for a new use for these buildings but it’s unlikely that they will remain in this organic sprawl for much longer. I would be interested to hear of any other insights into the history of these buildings.

maxims colour added 2.jpg
Drawing almost finished.

Thanks for the comments Moya and thank you for reading.

Ronnie