Category Archives: pencil drawing

Rainbows of Lanark

Calling all Lanark artists! Lanark Tolbooth Trust and Lanark Community Development Trust have put their heads together and come up with a great idea for artists living within 7 miles of Lanark, by holding a rainbow themed art competition.

lanark under lockdown artwork by ronnie cruwys
YMCA, St Nicholas Church, Tolbooth window ,

The competition is to create rainbow inspired images for an exhibition to be held at the Tolbooth, Lanark when the restrictions are lifted.

lanark under lockdown artwork by ronnie cruwys

They have been inspired by the uplifting colourful pictures of rainbows that children have put in their windows spreading messages of hope and thanks to the NHS and key workers.

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Images from New Lanark

I thought I would do something a little different…

I don’t think I’ve mentioned here yet but since last October (until lockdown) I had been attending a weekly drawing and mixed media class at Paintbox School of Art in East Lothian. I’ll get round to telling you a bit more about the classes on another day (they’re great!) but for now I’ve discovered that preparing your surface makes quite a difference to your work.

lanark under lockdown artwork by ronnie cruwys
New Lanark

There are many ways to do this but for the idea I had in mind, I wanted a lightly textured background, for a mostly monochrome drawing apart from the rainbows.

In my mind’s eye, I had a composition of disordered buildings, interweaving fragments drawn very simply, with the emphasis on windows and the rainbow posters. I’ve only been into Lanark twice since lockdown so it felt apt that it was more dreamlike. The monochrome sums up how things feel at the moment and helps the rainbows pop out.

Rough sketch of one of the compositions. This was a bit too congested so I thinned out the final sketch.

I prepared 4 sheets of A3 paper with a coat of white emulsion paint mixed with a dash of blue grey. It gives a chalky tooth for the graphite and a varied flow to ink. I then worked directly on to the paper, starting with one key building placed off-centre and then placed other buildings in response to that one and so on.

This shows the simplified line drawing and the textured background.

I got carried away doing four sheets but I kept finding parts of buildings that I wanted to include. I now have to decide on which drawing to enter or do another one!

lanark under lockdown artwork by ronnie cruwys
Towers of St Nicholas’s Church and Greyfriars
lanark under lockdown artwork by ronnie cruwys
Finials, Spires and Chimneys above the High Street

The drawings have been cropped into squares – top and bottom sections so you can have a good look.

lanark under lockdown artwork by ronnie cruwys
St Mary’s Church tower, the Girnin Dug and part of the Tolbooth

If you are a professional or amateur artist living in or near Lanark, there is still time to enter – closing date 1st June 2020. I’m looking forward to seeing a lot of colour next month!

Thanks for reading,

Ronnie

lanark under lockdown artwork by ronnie cruwys
Window on corner of Jack’s Ironmonger, Tolbooth and Christ Church

PS. I decided to enter ‘Finials, Spires and Chimneys’ in the Professional Category and….it won 🙂

An iconic kind of door

 

drawing of wedgwood institute
Detail above entrance to the Wedgwood Institute

There’s many a fine building in Bonny Burslem but none with an entrance quite like the one into the Wedgwood Institute.

I recently finished the Wedgwood drawing which I began a few months ago. I picked up the pencil for this one having been influenced some time ago by a poster I bought of the entrance to the Natural History Museum, London, by Alfred Waterhouse.

poster of Natural History Museum
Entrance to the Natural History Museum

I bought and framed this poster when I was an architecure student and it’s now on the wall of our son’s flat, an architectural student, thirty+ years later! I still love the drawing and this is what made me choose to spend some time on the Wedgwood entrance with its intricate tile and terracotta details.

red and yellow ochres for brickwork and terracotta
Terracotta details in the wall of the Wedgood Institute

Terracotta tiles and masonry details next to wedgwood institute
Coat of arms on the side of the Wedgwood Institute

I’ve used traditional pigments with gum arabic on some very heavy (600 gsm) hot pressed watercolour paper. I really like the combination of the warm French and English Ochres, against the bright green malachite and azurite. I’m also hooked on using the pigment called ‘Caput Mortuum‘ – it seems to end up on quite a few of my icons!

It has been a treat to pause and spend time on a small part of a street but it only makes me want to zoom in further and pick up on the terracotta work. This is quite a rich subject which I may explore in future having been sidetacked by some of the tiles in Newcastle under Lyme.

tile details
Collage of terracotta tiles from a building in Newcastle-under-Lyme

drawing of wedgwood door
The final drawing of the Wedgwood Institute door

For more info and to order or stock prints from a small limited edition run, please have a look at my website or email me at RonnieCruwys@drawingthestreet.co.uk

Thanks for reading.

Ronnie