Gallery at 12 in Eccleshall is a firm supporter of the work done by Shape Arts . Each December the Gallery holds a charity day to fund raise for them and this year it tied in with ‘RED’, their winter-themed exhibition by all the co-operative membership. I’d love to say the words ‘Beam me up Scottie!’ and be transported back to the Gallery for the day but in the meantime I got out my red oxide ink for some fresh sketches of Eccleshall and posted some new work to the Gallery from their long-distance guest member.
These are cropped images from four little original drawings of Eccleshall, all mounted ready to frame. I’ve also made sets of cards of these as handy stocking fillers.
You will always get a warm welcome in the Gallery and Eccleshall is such a picturesque place to visit – if you live in the area, why not head over.
If I don’t post again before Christmas, here’s wishing all my readers a very happy one and hope you get many peaceful sofa moments!
The more streets that I drew, the clearer I became on what it was all about. It’s simple and selfish – I only draw the streets that are meaningful to me in some way.
Sometimes it’s because some detail has caught my eye and sometimes streets link me to family and friends. This way I connect with each street and I get lost in the hours that sink into each drawing.
The other thing that is really important to me is that I draw them as architectural and social records. These are my surroundings as I find them now. The people on the drawings were there at the time, including the chap taking a breather from working in the Hope Cafe.
Each street is gradually added to my archive blog where I break the streets into individual buildings and add insights of history that I discover as I go along. It’s a slow but steady process but it really gives you an idea of what Drawing the Street is all about.
From time to time someone suggests a street for me to draw, including complete strangers! I always consider it because I might find it as interesting as they do and sometimes surprising connections unfold in the drawing of it.
Mount Parade, York was one such street. I was planning to draw the street nearby when a gentleman walked past me, stopped and asked whether I knew about the street just around the corner.
I must have cycled past the end of this street countless times going back and forth to town and had missed it all these years!
As my streets gathered pace I became a member of Staffordshire Artists Cooperative and displayed my work in Gallery at 12 where I later held a joint exhibition with the library to display all my local street scenes. Another exhibition followed on a few months later in Blossom Street Gallery in York.
The best part for me is discovering and acknowledging the people who lived in these places, the lives that have gone ahead of me. For instance, I discovered that Charles Hammersley set out from this house almost a century ago, only to be killed in France in WW1.
I haven’t mentioned how much urban sketching is part of the fabric of Drawing the Street – it’s where I meet people and really get the feel for a place.
In my next 3/3 post on this reflection of my fifty streets I will bring you up to date with my latest news up here in Scotland!
So here we have the finished drawing of 32 to 56 High Street, Eccleshall, complete with guest appearances by local residents. This has been great fun to include you all and I hope you can still recognise yourselves…
Greetings cards are now in stock at Gallery at 12 in Eccleshall of this latest drawing. Prints also available to order and you can see the drawing in full over on my website:Drawing the Street.
Whenever I draw a street scene, I like to include the people who are around at the time. This has become just as important as recording the buildings as it’s the people who bring the street to life.
Although I already had a few photos of people, I put a call out on social media to invite volunteers from Eccleshall to step on to my latest drawing of the High Street by sending me a photo of themselves or friends along this part of the street.
I was delighted when the photographer Caroline Burley sent me a selection of photos of figures striding out between ‘Valentins’ and ‘& Buttons’. Thanks Caroline! I will leave you to figure out who’s who, but here are the line drawings – almost ready for the colour wash.
A few months ago, I met up with a couple enjoying a quiet drink outside Merckx Bar on the High Street in Eccleshall. I had just dropped off some prints of Eccleshall High Street into Gallery at 12 and was taking a few photos for the second drawing of the High Street, so I could add some real people to the benches outside Mercks.
From this enjoyable but momentary meeting, I was asked if I might draw the Old Vicarage. I hadn’t seen this building before, but possibly because it was hidden away behind a very tall hedge, with only a glimpse through the gate.
The hedge has since been thinned out so that this handsome, Staffordshire red brick building with rusticated brick quoins, is a little more visible from Church Street. It was built in the Queen Anne style and is listed grade 2.
It’s good to look at buildings from a different angle. It has made a pleasant change to draw the Old Vicarage as a one-off perspective, and I’m pleased to have recorded another of Eccleshall’s listed buildings.
The drawing of 1-35 High Street is also finished, here’s part of it. Limited edition signed giclee prints are on sale at Gallery at 12, the Arcade, High Street, Eccleshall.