Tag Archives: Scottish vernacular

West Port – Gateway to Lanark

Many years ago Lanark had four town gates: West Port, East Port, Wellgate and Castlegate. There’s no sign of the gate that once stood at West Port – it’s long gone, demolished sometime in the late 1700’s, but the name remains.

West Port, Lanark is the sixth in my series of street drawings of this Royal Burgh. Here’s a clip from the part of the street where it meets Friar’s Lane.

West Port, Lanark

My street drawings are flat-faced elevations – it keeps things simple and allows me to relate cleanly from one building to another in a way that can be read with ease in future. It shows the relationships of eaves and rooflines, heights and widths of properties and the general fall of the ground. It also gives clues as to what might lie beyond – take for example the chimney stacks. Here you can see the lines of stacks but no idea of the extent of their scale….

West Port Lanark

Let’s take a closer look at the stacks that sit on this early 19th century part of the street. I’ve recently drawn a series of sketches of the town for #inktober – looking at some of the less familiar views. Here though, this is a view you will see as you head out south from the town.

Roofline over West Port, Lanark

Look at these rows of chimney pots! Each one will service a fireplace somewhere inside these buildings.

Below is a close up of the West Port B&B which is one of the Instagram #inktober series (you can look these up on my Instagram page @drawingthestreet). The original is now framed and on sale in the Tolbooth, Lanark.

The West Port B&B

Moving along the street, let’s look at these two fine early 19th C buildings. The one on the left listed grade C, the one on the right grade B.

West Port, Lanark

Moving along West Port, we move poetically from Mucky Paws to the Police Station…

Mucky Paws (left) to the Police Station (right)

The last part of this section of the street drawing is shown below.

Eu Kirk and neighbours

Here’s the whole street drawing – from Friar’s Lane to number 43 West Port. You can see the drawing in more detail on my website drawing the street along with the other Lanark streets in this series including the High Street, Bloomgate, Broomgate and Wellgate.

As I write (9th Dec 2021), there’s one limited edition print, 104cm x 36cm, signed, framed and ready to hang on your wall, available from the Tolbooth Lanark. There are over 40 artists displaying their work there at the moment, so if you can’t see it on the wall, it may be awaiting its turn! Please ask at the Tolbooth reception or just email me: ronniecruwys@drawingthestreet.co.uk

West Port original from the 2021 Instagram #inktober series

I’ll sign off with the final framed original of West Port from the #inktober series which is also available to buy from the Tolbooth, Lanark.

Thanks for reading

Ronnie 🙂

Framed West Port – part of the #inktober series 2021

Framed original artwork of West port now available to buy from the Tolbooth, Lanark.

Reflecting DOuglas

Doors might be closed but the windows of The Scrib Tree are free for all to look into when going for a stroll through Douglas. Level 4 lockdown here in South Lanarkshire, Scotland, sees many doors closed but people are finding ways to continue working safely within the restrictions.

Around the Corner‘, an exhibition of 16 unexpected views of the historic village of Douglas, is now on view to the town and I’m really pleased to have it on display in this wonderful place.

I know I could put the work to one side and wait till we have the all clear for a proper on-the-wall exhibition but this work sums up the spirit of place that we are in right now – the feeling that better things are ‘imminent’, ‘on the brink’, ‘on the horizon’…. which are all names of paintings in this exhibition.

Just to side track a moment – look at this wee Scrib Tree charmer! He was no help whatsoever in putting up my work! If you read to the end, I promise you a melty moment pup pic….

I think this is my favourite photograph of the window exhibition. Big light cloudscapes behind dark skylines. It shows a little of the drama of this intense historic village.

Here’s a detail below from ‘In the Air’.

‘In the Air’

From ‘In the Air’ we move down to earth – but not for long….

…Where are these stairs leading us?

‘On the Brink’.

‘On the Brink’
‘On the Brink’

I’m curious to find out where these stairs lead – are they simply going around the corner with another flight out of sight or is there another level that has since disappeared?

Here we have tall chimneys against a dark sky. This is a dramatic building that lies empty – ‘Ready and Waiting’.

‘Ready and Waiting’ – detail

All the original artworks featured can be seen on my website.

‘Ready and Waiting’

The hotel above lies empty, ready and waiting – but not this little chap.

As always, thank you for reading!

Ronnie

Shapes, Shadow, Light

The Scrib Tree made quite an impression on our first visit: beautiful interior, locally-sourced food and outstanding artwork on the walls by Carol Taylor, who has her studio next door.

It’s located in the ancient village of Douglas with records dating from the 13th century and set within 33,000 acres of the Douglas Estate.

You can imagine how delighted I was to be offered the opportunity to hold an exhibition there this Spring 2021, with the town as my subject. The offer came late last summer when lockdown in Scotland had temporarily eased. I went straight there to spend time walking through the town and start the thinking process.

Douglas is intriguing. I became absorbed by the narrow streets, the variety of the buildings, the unexpected views and the intricate street plan. There were thin spaces between buildings and edges which concealed fragments of church towers and roads that disappeared over the brow of a hill.

I knew I wanted to push myself and present an exhibition of my experience of Douglas which would reflect the times we are living in.

I began to crop my photos to find interesting compositions and then began a thumbnail sketching spree. I stuck a row of sketches up on the wall and chose the ones with the strongest composition of shapes, shadows and light to work on.

Keeping in mind what I’d learnt on the Composed Landscape course at Paintbox, I simplified the subject by using a thick soft pencil – trying hard not to get distracted by details – something that’s quite a stretch for me!

The name of the body of work was there waiting for me as I walked around the town: ‘Around the Corner’.

With all the depressing events globally and nationally, I wanted to express things as they are now but with hope for something brighter, something different, something imminent. There has been such heavy news this last year, on top of already heavy news. I can’t ignore it and yet I always hope for the best.

I love all the phrases associated with ‘Around the Corner’, for instance ‘at hand’, ‘in the air’ or ‘looming’. This became the key focus of each study.

I settled on a square format, all the time working to simplify the view to focus on the corners and the atmosphere of anticipation.

I already had my palette in mind, but I will talk about that in my next post. In the meantime I will leave you with a couple more of the studies to give you an idea of this old Scottish village.

Thanks for reading,

Ronnie 🙂