Tag Archives: Paintbox Cockenzie

Fluid Lines, Floral Structure

The Flower Shop at Silverbirch – Clyde Valley

There’s a new florist in the Clyde Valley. It’s exciting to witness this new business appear. The Flower Shop at Silverbirch (Silverbirch Garden Centre), is full of life and colour and only a few minutes from where we live in Hazelbank.

It’s all the more exciting for me as my new body of expressive flower work is now on the walls and available to buy from The Flower Shop at Silverbirch.

As artists, we are always looking for outlets to support and collaborate with us at various stages of our work. These last few years it has felt like many doors have closed; to have some open up feels so encouraging! I would like to extend a big thank you and a warm welcome to the Clyde Valley to @john_gold_floristry for giving me this opportunity to share and sell my new work.

Summer Garden Extravaganza workshop at Paintbox School of Art, Cockenzie

You might be wondering how I’ve moved from drawing buildings to flowers. In short it’s in response to living on an orchard and wanting to express the vitality of the plant world. As ever, Paintbox – the art school by the sea, was there with a four day workshop ‘Garden Extravaganza’ where we immersed ourselves in the structure, textures, colour and variety of the gardens at Cockenzie House.

Jemma Derbyshire and Robin Wu – Paintbox tutors

There’s a clear process as to how to approach a subject at Paintbox – I like the structure of the exploration – settling into a particular place in the gardens, responding to colours, forms, textures, shape, line and movement and simplifying what we experience into bold black and white drawings at a big scale – then moving along. Here we were given a 4 leaf concertina sketch book, each page A2 in size. We prepared the paper with white emulsion paint to give a tooth and texture.

Large scale concertina sketchbook for black and white studies

Things move at quite a pace and next up are some fast colour plays on what we have experienced to make material for collage. It also makes a great surface to cut down into a small concertina sketchbook – everything has a use!

Hanging our work out to dry in the garden

Next along was to find details from our black and white explorations that called for further development. I loved the sea thistle and so we looked at several colour palettes adding in our collage material as a disruptor.

Exploring colour palettes for our subjects

Here you can see how these giant drawings of nasturtium leaves serve to form the base of these paintings – the flat round leaves forming a contrast to the wild lines of the sea thistles.

Foxgloves are a favourite of mine as they appear in the warmth of summer with their vibrant pinks contrasting against rich purples of the undergrowth.

We taped off sections and worked freely on large sheets of paper. Although time ran out, I knew what to work on when I got back home.

‘Sea Thistle Morning’ (top) White Swans (left) and Summer Dew (right)’

It’s always a highlight to see the work finished, cropped, framed and named.

‘White Swans’

Many thanks to John Gold for the thoughtful display – here are a few on the walls.

‘White Swans’ and ‘Summer Dew’ framed and on the walls of The Flower Shop at Silverbirch
‘Jubilant Geraniums’

Silverbirch Garden Centre is a great destination here in the Clyde Valley and the Flower Shop is located right beside the main entrance, open Tuesday to Sundays, 10-4. If you are in the area – why not call in?

Thanks for reading

Ronnie πŸ™‚

a landscape composed

Sketched from Cockenzie sea shore

Sometime last October I embarked on a course run by Paintbox tutor Owen Normand. I’ve been exploring ways to express the landscape where I live in the hope of being able to capture at least a fragment of how it feels to live here in old orchard country.

The course lasted ten weeks, was based outdoors and I could fill ten blog posts on what we covered. However, for now, I want to touch on how it was to become the unexpected foundation of a new exhibition going up next month. The work is quite a change for me and I hope you will keep me company as I tell you about how it all evolved.

Charcoal studies of a group of trees by the shore

You know how much I love detail and how it’s an integral part of Drawing the Street. However, I want to develop my work and push into unfamiliar territory so it was a revelation to learn about many new artists to me including the work of Felix Vallotton and his approach to painting. It was his painting ‘Moonlight’ that captivated me and drew me to this course.

Owen’s invitation to the course stated:

β€˜The composed landscape course is all about mood over accurate representation.’

We began with sketching outside and apart from sketching a few trees, I lapsed back to drawing buildings as part of my landscapes.

‘Try to edit, simplify and arrange the elements of your scene to create paintings that are memorable and have a lasting emotional impact on the viewer.’

One corner had caught my imagination as I saw a small triangle of light set between dark shadows beside the corner of a high wall. After several different studies, it was this subject that I chose to prepare a monochrome paint study.

Owen kept reminding us – What was our painting about?

‘Focus on making compositions with the intention of communicating emotion or mood and trust that an imaginative design can trump painting technique.’

Referring to charcoals sketches for monochrome study

For me it was simple: it was that slice of light between the shadows that was drawing me in and wanting me to explore what was beyond the wall.

Monochrome study of that edge and slice of light

It’s one thing knowing what you have to do, but another thing altogether getting your paintbrush to oblige! However, those words ‘trust that an imaginative design can trump painting technique’ have been a lifesaver!

I didn’t realise at the time but this teaching has provided a solid foundation in getting my new body of work together for an exhibition in the Scrib Tree Dougas, from 1st march 2021.

I wanted to do something different, something to reflect the times we are in and my feelings about it all now. The pandemic has touched us all and I have to reflect our situation in some other way than my previous work.

I will be sharing how this body of work unfolds in my next few posts and hope you will join me here.

I will leave you with a flavour of the next post…my first thumbnail sketch of Douglas and the name of the exhibition…

‘Around the Corner’

Thanks for reading,

Ronnie