Back to Eccleshall for the sixth street in the ongoing series. When I began Drawing the Street, it was with the intention of adding morsels of history to the buildings which I draw. These are personal histories or facts that I record on my archive blog Drawing the Detail which is accessible for anyone researching their ancestors or simply wanting to know a little more of who lived where, what they did or made and so on.
Whilst I was working on this drawing, I noticed on ‘Eccleshall Today‘ that someone had posted about a recent visit to Shrewsbury Prison where he had seen a notice about an execution of an Eccleshall man, William Griffiths, back in July 1923. It appears that William and his mother, Catherine Hughes, lived somewhere on this steet, probably in one of the buildings to the left and given today’s understanding of events, would have probably been sentenced to manslaughter rather than murder. If anyone has any recollections from family or friends about this, I would be interested to hear from you.
Back to the drawing! I always mix up a range of red and yellow ochres and get started with the brickwork once the pen and ink underdrawing is done. I work in thin washes building up the colour so I can get subtle variety in the brickwork.
I will close on a small finished section of the drawing featuring No 8, Stafford Street. This is now home to Bowcock and Pursaill, solicitors. I smiled when I looked at the 1871 census as I thought it was appropriate that a launderess named Rebecca Bradbury, once lived here. I am sure she spent her life seeing it all come out in the wash.
Hitchman Street holds some interesting connections for me. When I first saw this red brick terrace, I was on my way to to deliver a framed print of an Audlem street to Williams of Audlem. Not knowing anything about the terraces in Fenton, I looked them up when I got home.
I was surprised to find that the land that these houses were built on was purchased in 1765 by the architect William Baker of Audlem. William Baker (‘the first’ as there were a few more to follow) bought ‘the estate and manor of Fenton Culvert, together with pottery, for his second son William Baker II’ (extract from Stoke Council’s conservation area appraisal). However, it was some generations later when William Meath Baker, the great grandson of the first William, commissioned these terraces. It’s all explained in the conservation appraisal.
Interwoven Initials W M B
Terracotta date stone on gable on Victoria Road
William Meath Baker had inherited the Baker Pottery nearby and built these houses (and many others) to provide accommodation on a philanthropic model for the workers associated with the Baker Pottery.
The Baker Pottery has gone now, but the kilns remain.
Looking up these old threads, it never fails to unearth other connections. When I worked as a conservation architect in Stafford, I spent ten years as part of the team looking after the repair and upkeep of the grade 1 listed Chillington Hall, the south wing which was designed by Francis Smith of Warwick in 1724. Francis Smith was the celebrity architect of the Midlands in his day and it turns out that one of Smith’s pupils was the young William Baker of Audlem, learning from the master.
I’d like to think that an appreciation of good design has been passed down the generations. It certainly shows up here in these terraces.
I’ve been keeping my eyes out for terracotta tiles which jazz up the fronts of late Victorian buildings and have begun to sketch and record them – their patterns and dates if provided. I had a hunch that they might give me a means to map connections with times and places.
Yesterday I was sketching in Islington, first along the Hornsey Road and then along Upper Street when I looked up and saw the very same tiles that I had sketched on a primary school in Newcastle-under-Lyme.
Yes, I’ve turned into a tile anorak…
Terracotta tiles on Upper St. Islington
terracotta tiles on Upper St Islington
However, the above sketches are the tiles which I drew from Hassell St School:
I’d love to know where these tiles were made. One source could be Blashfield’s
Last summer, I sketched a Victorian building in Newcastle-under-Lyme. This was a fine example with plenty of details , especially the terracotta tiles. Terracotta means ‘fired earth’ -and describes a form of moulded clay masonry of a finer quality than standard bricks.
Terracotta tile, King St, Newcastle under Lyme
Terracotta tile, King St, Newcastle under Lyme
Sketching the building as a whole meant losing some of the finer details so I took a bit more time to draw these ornamental terracotta tiles.
A month or so later, I was sketching in London and spotted these tiles on Cross St., Islington.
The following month I noticed more tiles on The Swimmer, the pub around the corner from where our son lives off the Holloway Road.
It was then that I decided to keep a drawn record of all the architectural terracotta tiles that I come across whilst sketching and drawing the street as they form a quiet signature of a time and place. Looking into these tiles a little further, I read that ‘by the 1860s a number of eminent English architects had recognised terracotta’s value for mass-producing ornament and fine masonry by casting from an original, combining new technology with traditional craftsmanship’. Read more about this here
I thought I would make a start by sharing these sketched examples. The sketch below was a postcard original of the Swimmer tiles for a recent fund raiser for Shape Arts
Finally, I will sign off with this one sketched today – a collage of tiles from a local school – Hassell Primary, Newcastle-under-Lyme.
Thought I would share a few pics of the couple of days spent sketching another stretch of the Holloway Road. This time I brought along a length of cartridge paper which I had prepared at home with a wash of gum arabic and French and English Ochre pigments, to give the paper a bit of warmth.
Note the colourful tote bag by the French American artist Gwenn Seemel – I admire her outlook on copyright as well as her colourful artwork.
I’d packed half a dozen clothes pegs to clip the paper to a folder which seemed to work quite well. Even though it’s non-stop busy along this road, several people stopped to pass the time of day with me and thanks to Sean for taking this photo and sending it to me.
The drawing is now complete, scanned and can be seen in full on my website. Limited edition prints are now available to buy.
Not long ago I received an email from Mr Tom Renshaw who used to live at no 9 Stone Road Eccleshall. Tom had received a birthday card from his daughter which showed the cottages closer to the town centre which I drew a couple of years ago.
Tom gave some insights into the earlier life of some of the buildings – the wooden fronted building used to be a corn merchant, ‘F.Gardner’ and the building next to it a bakery, ‘where we would buy bread fresh from the oven and eat it without butter or anything else’.
When you reach 82, why not celebrate the whole year? It allows me time to wish you a very happy belated birthday Tom and to sign off with a close up of your former home.