Gallery at 12 in Eccleshall is a firm supporter of the work done by Shape Arts . Each December the Gallery holds a charity day to fund raise for them and this year it tied in with ‘RED’, their winter-themed exhibition by all the co-operative membership. I’d love to say the words ‘Beam me up Scottie!’ and be transported back to the Gallery for the day but in the meantime I got out my red oxide ink for some fresh sketches of Eccleshall and posted some new work to the Gallery from their long-distance guest member.
These are cropped images from four little original drawings of Eccleshall, all mounted ready to frame. I’ve also made sets of cards of these as handy stocking fillers.
You will always get a warm welcome in the Gallery and Eccleshall is such a picturesque place to visit – if you live in the area, why not head over.
If I don’t post again before Christmas, here’s wishing all my readers a very happy one and hope you get many peaceful sofa moments!
The more streets that I drew, the clearer I became on what it was all about. It’s simple and selfish – I only draw the streets that are meaningful to me in some way.
Sometimes it’s because some detail has caught my eye and sometimes streets link me to family and friends. This way I connect with each street and I get lost in the hours that sink into each drawing.
The other thing that is really important to me is that I draw them as architectural and social records. These are my surroundings as I find them now. The people on the drawings were there at the time, including the chap taking a breather from working in the Hope Cafe.
Each street is gradually added to my archive blog where I break the streets into individual buildings and add insights of history that I discover as I go along. It’s a slow but steady process but it really gives you an idea of what Drawing the Street is all about.
From time to time someone suggests a street for me to draw, including complete strangers! I always consider it because I might find it as interesting as they do and sometimes surprising connections unfold in the drawing of it.
Mount Parade, York was one such street. I was planning to draw the street nearby when a gentleman walked past me, stopped and asked whether I knew about the street just around the corner.
I must have cycled past the end of this street countless times going back and forth to town and had missed it all these years!
As my streets gathered pace I became a member of Staffordshire Artists Cooperative and displayed my work in Gallery at 12 where I later held a joint exhibition with the library to display all my local street scenes. Another exhibition followed on a few months later in Blossom Street Gallery in York.
The best part for me is discovering and acknowledging the people who lived in these places, the lives that have gone ahead of me. For instance, I discovered that Charles Hammersley set out from this house almost a century ago, only to be killed in France in WW1.
I haven’t mentioned how much urban sketching is part of the fabric of Drawing the Street – it’s where I meet people and really get the feel for a place.
In my next 3/3 post on this reflection of my fifty streets I will bring you up to date with my latest news up here in Scotland!
I did a double take when I walked past York Street, Leek this summer. The most ordinary row of terraced houses transformed by the green-fingered, creative occupants into a shared garden enjoyed by inhabitants and passers-by alike. What a generous attitude!
It’s been a while since I’ve drawn a residential street, the last one was Well Street in Newcastle-under-Lyme. Looking back, I seem to be getting a bit more colourful!
A few years ago John, our son, gave me a hefty 10 metre roll of lovely thick cartridge paper as well as a concertina sketch book with another 10 metres of drawing paper.
The roll of cartridge paper made me commit to that first long street drawing (you can look back on that here) but the sketch book has remained unopened until last week when I received another gift out of the blue from Laura – some Uniball pens. Now these are the pens I turn to first for my on-the-hoof street sketches as they are waterproof and lightfast and have a range of fine points giving pin-sharp lines.
Last Saturday was forecast fair so I took off to the historic market town of Leek, in the heart of the Staffordshire Moorlands, with my new pens and sketchbook.
Leek has to be the friendliest town centre I’ve drawn in so far. It was a busy Saturday with a lot of people in town and although I was on Church Street, tucked out of sight of the main square, people still came over to see what I’d drawn and to pass the time of day with me. The sketches are pretty rough and ready but should help me get set up for the more formal drawing to follow.
I’m planning on drawing a series of streets in Leek which I hope I will have ready in time to go up in a shared exhibition in November at the Foxlowe Art Centre when Staffordshire Artists Cooperative will be putting on a joint display of their work.
I travelled light with my kit: a few Uniball unipin pens, a single ultramarine blue watercolour pan, a Pentel black ink brush and a waterbrush pen. I go easy with the brush pens on this paper but it helps to add a bit of shading to the buildings by dabbing some of the ink into a jam jar lid (travel palette) to dilute it first.
So here we have the finished drawing of 32 to 56 High Street, Eccleshall, complete with guest appearances by local residents. This has been great fun to include you all and I hope you can still recognise yourselves…
Greetings cards are now in stock at Gallery at 12 in Eccleshall of this latest drawing. Prints also available to order and you can see the drawing in full over on my website:Drawing the Street.
A few months ago, I met up with a couple enjoying a quiet drink outside Merckx Bar on the High Street in Eccleshall. I had just dropped off some prints of Eccleshall High Street into Gallery at 12 and was taking a few photos for the second drawing of the High Street, so I could add some real people to the benches outside Mercks.
From this enjoyable but momentary meeting, I was asked if I might draw the Old Vicarage. I hadn’t seen this building before, but possibly because it was hidden away behind a very tall hedge, with only a glimpse through the gate.
The hedge has since been thinned out so that this handsome, Staffordshire red brick building with rusticated brick quoins, is a little more visible from Church Street. It was built in the Queen Anne style and is listed grade 2.
It’s good to look at buildings from a different angle. It has made a pleasant change to draw the Old Vicarage as a one-off perspective, and I’m pleased to have recorded another of Eccleshall’s listed buildings.
The drawing of 1-35 High Street is also finished, here’s part of it. Limited edition signed giclee prints are on sale at Gallery at 12, the Arcade, High Street, Eccleshall.
It has been quite a month. Apart from finishing off a few more drawings in between a few fun family events, quite a lot has been happening.
First of all, a big thank you to Paul at the Stone and Eccleshall Gazette who found my work on the web and then gave me a fab introduction to Eccleshall with his generous write up. This has been so timely and I really appreciate this vote of confidence. It was published just as I had placed the first framed print of Eccleshall High Street on the wall of Gallery at 12.
Just before this happened, my Instagram site (@ronniecruwys) took off. I have been posting work-in-progress photos for the last 9 months and have been using hashtags to connect with other artists interested in the same subjects, for instance #Eccleshall or #Drawing #Architecture. It has been great to connect with people all over the world and share stages of my work in progress. One drawing (of Audlem) got reposted on to another site and within 2 days had over 30,000 likes. Crikey. Meanwhile, Stone Road Eccleshall is getting a respectable response too.
I would also like to give a big vote of thanks to my new Instagram buddies @carolineiam @daveh500 @eddequincey for pointing me in the direction of Gallery at 12, where I have since become a member, and for giving me such enthusiastic support!
What’s more, I actually met @carolineiam last night in Eccleshall, in one of those wonderful moments of serendipity!
Starting with the grade 2 listed building home to Wyn’s and the old Sweet Shoppe:
No 2, on the corner is early C19.
Next along is the Arcade, home of Eccleshall’s artists’ co-operative, Gallery at 12 and the lovley coffee shop The Artisan.
British Listed Buildings Online is a great resource for the history of our streets. The building to the right of London House is listed grade 2, early C19. London House is also listed grade 2, and probably late C17 or early C18.
I do plan to continue with drawings of Eccleshall so please follow this blog if you would like to be kept up to date – or over on Instagram. Thanks for reading.