Tag Archives: Drawing

The Brampton – Where Broom Grows

Drawing of the Brampton Museum, detail of the red brick elevation, by artist Ronnie Cruwys
Three storeys of beautiful red brickwork

Broom grows outside my kitchen window here in Scotland – I love the intense yellow after the greys of winter.  Broom links me to my next drawing in my red ochre series: the Brampton Museum in Newcastle-under-Lyme. The name Brampton means ‘place where broom grew’ – I wonder if any still grows in the park?

Broom outside my window in Hazelbank

The Museum is located just outside Newcastle-under-Lyme’s town centre in Brampton Park, surrounded by mature trees and shrubs.

Drawing of the Brampton Museum, detail of the eaves and windows, by artist Ronnie Cruwys
Deep overhanging eaves of the Brampton Museum

Long before this became a park, this was common land grazed and cultivated by the town burgesses. Eventually, the field was sold and Victorian villas were built – including ‘The Firs’ in 1855 and ‘Pitfield House’. The gardens of these Villas now make up the present park. You can read more about the history of the park here.

Drawing of the Brampton Museum, Newcastle Under Lyme, detail of the windows, by artist Ronnie Cruwys
Detail of a former doorway
Look out for curious details

Twenty one years after ‘The Firs’ was built, Newcastle’s first museum was born just off the Ironmarket in Lad Lane. This consisted of a public library, a reading room and museum.

It was during the early years of WW2 that the Borough Museum was founded in the Lancaster Buildings. Eventually it moved to its current location in Brampton Park. You can read more about the history here – written by Neville Malkin, 9th June 1976.

The Russian Canon outside the museum
The Market Cross and the Russian Canon

Here’s the drawing in full. You can see the rest of my red ochre series of Newcastle-under-Lyme on my website Drawing the Street or browse my Etsy shop where the originals are for sale (available to buy at the time of writing).

The complete drawing of the side elevation of the Brampton

The second drawing of the Brampton shows the side towards Pitfield House, with some of the garden and more of the wonderful roofscape.

View from the play area side

I’ll sign off with a picture from the 2019 exhibition at the Brampton ‘Capturing the Past’. I was delighted that my collection of street drawings were included in the exhibition – they’ve been part of the Museum archive since 2018.

Thanks for reading

Ronnie 🙂

To Market To Market

pen and ink drawing of Newcastle under Lyme markets and the guildhall
Market Cross with the market stalls behind

Newcastle town centre is alive with markets! Back in the 13th century, there was only the one market day but now markets are held 6 days a week with an additional one held monthly on a Sunday.

This is the second of six new red ochre sketches of Newcastle-under-Lyme town centre – the full set can be seen on my website Drawing the Street.

Chatting outside the Guildhall

The history of the markets is ancient. There’s an in-depth write up on the town’s history on the British History website: there is evidence that a market was held in Newcastle-under-Lyme as far back as 1203 when the market day was changed from Sunday to Saturday, for which the burgesses had to pay a fine to the king. I bet the good folk of ‘Castle didn’t go much on that.

pen and ink drawing of the Guildhall in Newcastle under Lyme by artist Ronnie Cruwys
Southern view of the Guildhall on the High Street

It’s possible that the market day remained unchanged until 1590 when under Elizabeth I’s charter, market day was declared to be Monday and it remained so until the beginning of the 19th century when an additional Saturday was added to meet a larger population.

Here’s the drawing in full.

Market Cross and the Guildhall, Newcastle-under-Lyme

Let’s take a few steps to the left and look at the market cross from a different angle. The market cross was located further up the street in medieval times, opposite the Ironmarket.

Lamps at the top of the Market Cross
Detail at the street

It required some restoration work in the mid-1500s when it’s thought that the five steps were built. Later, in the early 1800s it was moved to the present location when the lamps were added.

Market Cross with the High Street behind

The finished original drawings are set in standard 10 x 12 inch mounts ready to frame and now listed with full description in my Etsy shop.

If you’re looking for a print instead – please get in touch.

Market Cross and the Guildhall

Thanks for reading 🙂

Ronnie

The Old Barracks

Waiting for the X164 bus from Newcastle-under-Lyme town centre back to Whitmore was a sketch moment. My car must have been getting fixed at Ryan’s garage – sketched here the year before.

I keep places/buildings that I find interesting in mind to draw later – in this case several years later! Recently I’ve concentrated on some new sketches in and around the town centre and I thought I would start sharing the first of them ‘The Barracks’, here.

Roofline of the Barracks Workshops

Barracks Road was once named Friar’s Road; the name changed in recognition of the Barracks. It was built in 1855, in red brick ‘Italian style’. This was the headquarters of the 3rd King’s Own Staffordshire Rifle Regiment, which assembled annually at Newcastle for training, until 1880.

You can discover more about the history of this building here on the Potteries website. I’m delighted to hear that it received a grant a few years ago towards window repairs.

Entrance to courtyard

The Barracks workshops is now home to a number of small businesses and has been popping up on various social media posts.

There is also a heritage project running which is looking for people who have memories of the history and uses of this building – more about that on the Sentinel’s website here.

You can see the full set of new drawings on my Drawing the Street website.

The original drawing of the Barracks is available to buy mounted and ready to frame in my etsy shop here .

Thanks for reading

Ronnie 🙂

Step Upstairs!

This is the third year of sketching at the Christmas pop-up shop in the Tolbooth, Lanark. Over 40 artists living in and around the Clyde Valley submit some of their hand-made created/painted/knitted/woven/sewn art work to sell and contribute toward the upkeep of this vital community building. Plus they offer a wide range of gorgeous gifts for friends and family.

First floor of the Tolbooth Christmas 2019

This year, there is a focus to raise funds to improve access to the first floor of the Tolbooth.

Back in Dec 2019, the focus was to redecorate the first floor, improve the lighting and flooring to make it a more attractive room for community use. This has been done and with some style!

Gentlemen of the Tolbooth 2019…and Millie

I’m delighted to have some of my framed limited edition prints of Lanark’s historic streets on display upstairs. You can see these in more detail on my website here.

West Port Lanark and the Broomgate Lanark, framed by Caledonia Framers and ready to buy off the easel.
Framed limited edition prints of Lanark streets

There are a couple more of my framed prints available – here’s Bloomgate and the High Street pictured top right.

I love the circular work by Patricia West above – I think it’s called ‘Connections’ made with fragments of different sari fabric. Pat McKenzie’s work always catches my eye – she has some gorgeous art in the Tolbooth – my photos/sketches do her no favours!

That’s plenty for now. I will continue with a few more sketches in the next day or so. Meanwhile, keep well and warm.

Tolbooth tree 2021 with glimpses of paintings by Kirsten Harris

Thanks for reading,

Ronnie

Warm Glow in Audlem

There’s always been a warm glow from this much loved shop on Shropshire Street in Audlem, a village which can trace its ancestry back to the Domesday book when it was known as Aldelime. It’s located next to the Shropshire Union Canal where you can find a run of 15 locks designed by Thomas Telford to lift the canal by 28m from the Cheshire Plain to the Shropshire Plain.

Arched doorway into Manchester House

Williams of Audlem was established 159 years ago – a record to be proud of! Whilst I was living in nearby Newcastle-under-Lyme, I drew most of the street frontages of this fascinating place and recorded them on my website Drawing the Street.

Williams of Audlem stock some of my signed limited edition giclee prints and there are currently two unframed prints of ‘The Square’ in stock, featuring the family run pub and restaurant ‘The Lord Combomere’.

The Lord Combomere, The Square, Audlem
1 and 2 The Square, Audlem, formerly ‘The Crown’

You can see the rest of this drawing here.

Head north west from The Square and you reach Cheshire Street where you’ll see this lovely red brick Georgian town house set against the backdrop of the 13thC church of St James, listed grade one.

Boots the Chemist, Cheshire Street, Audlem

There is one framed giclee print available in Williams as I write (8th Dec 2021). Here’s a close up of the some of the buildings that make up this side of the street.

The Fold, Cheshire Street, Audlem

A few more cropped images from the street drawing below:

Smithy House, Cheshire Street, Audlem
Primrose Grange, Audlem

You can see this side of the street in full on my website here.

I’d like to close with a wee thank you to Judy Evans of Williams of Audlem who has been a loyal supporter of my work for many years and to pay a tribute to her beloved Dad Derek, seen here putting out the morning papers for the good readers of Audlem.

Thanks for reading,

Ronnie 🙂

Trafalgar Place, South Vennel, Lanark

It’s easy to miss but if you look up at the front of the building where Bernard’s Wynd meets South Vennel, you’ll see a carved stone stating ‘Trafalgar Place’.

I only spotted this when I recently began a series of small sketches of Lanark to mark the month long Instagram drawing festival that is #inktober.

Trafalgar Place, South Vennel, Lanark

I hadn’t twigged that there were official prompts for the Inktober drawing themes! I simply began my own theme of drawing the views of Lanark that had caught my imagination – there are so many details that I want to pause a moment over by making a sketch.

Back to the name ‘Trafalgar Place’ on this street sign. The name doesn’t show up on the National Library of Scotland map of Lanark 1847-95 South Vennel. The photo below is a screenshot from the maps.nls.uk website, link above.

I did a search for ‘Trafalgar Place Lanark’ and came up with the ancestry website which records ‘Thomas Marshall Braidwood, born Trafalgar Place, Lanark, 1883-01-06, died 1967’. Braidwood is just up the road from us so a local Lanark connection. Thomas’s parents were Adam Braidwood (born in Douglas 1855) and his mother was Jane Marshall.

I find it interesting to look into the meaning of the names too so I looked up:

TRAFALGAR‘ this word is derived from ‘Cape in southwestern Spain, from Arabic taraf-al-garb “end of the west,” or taraf-agarr “end of the column” (in reference to the pillars of Hercules). The British naval victory over the French there was fought Oct. 21, 1805; hence London’s Trafalgar Square, named in commemoration of it.

Here’s the corner of the building where it meets Bernard’s Wynd. On the map at that time it was called St Bernard’s Wynd.

Corner of Bernard’s Wynd and South Vennel

Perhaps there are Braidwood families that can research further into the history of this building but that is as far as I got…days are short and I want to catch a daily sketch.

I will sign off with another view from South Vennel – here we see the rooftops of the old Lanark Grammar School on Wellgatehead.

Old Grammar School, Lanark – over the roof tops from South Vennel

If you would like to see my drawings unfold each day this month, I am posting them on Instagram @drawingthestreet. I will post a few of them as I go along over here too.

Thanks for reading,

Ronnie

Kitchen Table: Music, Whisky and Flo 1/3

Little Flo

‘The Kitchen Table’ is 2021’s theme for the Carluke Jam and Ham Exhibition (online). As I thought about the subject, I realised how much the Kitchen table is the heart of our home and how many stories and relaxed evenings have been spent around it. It brought to mind the highlight of last summer when restrictions were lifted enough for my family to come and visit – a magical time!

I really enjoy sketching the things we use each day – they become more familiar and loved with use, such as our wee red tea pot and the rainbow mug from Grapevine in Alsager.

The Carluke exhibition invites up to three entries so I decided to go for it with a triptych of our table, working out a composition for three stand alone paintings, all on 25cm square wooden boards, which would flow one into the other. I first made tiny thumbnail sketches then drew them at the same size as the boards.

Flo sizing up my sketch book – or perhaps eying up the Glenfarclas!

I love the start and close of each day. It’s at the end of the day that the table lights up and it’s a treat to get out a wee dram and capture the moment in my whisky sketch book.

One of the entries in my whisky sketch book earlier this year

Animals have been a part of my life for many years – this is Flo, our most recent addition to the household, she joined us from Lanark Cat Rescue, a timid curious wee cat and though she is still very shy she seems content with her life on an orchard.

Small paintbox which I carry in my handbag for urban sketching – it has all the lovely ochres and golds perfect for whisky sketches!

The whisky glasses were gifts from our visit to the Union Jack pub Berlin, when they were filled with some very fine malt whisky and great hospitality!

Flo on day one with us – early spring 2020.

I found a few music sheets in the local Oxfam shop which I thought would be useful for collage. I gave them a wash in red and orange inks and tore them into shapes for the flowers which sit in the Burleighware jug from my sister.

Musical flowers

Music from Radio Scotland or Radio 6 late into the night is part of the evening kitchen. If my brother is visiting, then we’ll have a session as he is great on guitar and stories.

Burleighware jug from the Stoke-on-Trent Pottery

Our striped red, orange and turquoise table runner is also something that brightens up the table – from Staffordshire days.

I will sign off with the finished painting. This is the central part of the triptych – more to follow on the other two very soon.

Thanks as always for reading!

Ronnie 🙂

Airborne

Roofline of a Victorian School on Westmuir Street, Glasgow

A hold up, a queue or a gap in the day’s proceedings are a gift to me – if I remember to take it – or if I have my sketch book to hand. Today was one such gift. A slight delay for my sis-in-law as we waited for her pre-flight Covid test on Westmuir Street, Glasgow.

You just have to look up and there’s the skyline full of Victorian chimney stacks, turrets, ridges and eaves.

Birds flying with ease from one perch to another.

I’m almost at the end of this pocket sketchbook – a strange feeling as sketchbooks are companions to me. When a book gets filled up there is a sense of a chapter closing.

A page has turned in our family story as my nephew begins a new life as a student in St Andrew’s, a long way from his home. Little does he know but it’s thanks to him that I have filled the last pages of this sketchbook with Glasgow rooflines and scarlet rosehips!

Rekindling the Sketchbook

Boats in Cockenzie Harbour

My ‘handbag sketchbook’ has been dormant for a while. It’s a hand-sized book which I normally sketch in when out and about but over the last year or so, trips out have been straight to the point and home again.

I realised how much I had missed capturing some of the day-to-day aspects of life when I was waiting for my second Covid jab. This chap was ahead of me in the fast moving queue at Ravenscraig Sports Centre and it struck me that I should get the moment down even if it was just a few lines.

Roll up your sleeve!

I was surprised at how l had fallen out of the habit of these short sketches – I’ve been drawing and painting plenty of other things (more on this another time) but these sketches are my visual diary. Life goes past so quickly that I sometime wonder what I was doing last week and these capture the moments when I pause.

These sketches are for me – I don’t mind how haphazard they are as long as I sketch something of the moment. I had added a wash of yellow ochre on one of the pages – it’s a simple but effective background to liven up a few hasty lines.

A ten minute wait for a routine vet visit was a great opportunity to sketch the profile of the church at Lesmahagow.

Lesmahagow church – waiting outside the vets

Here’s my first café sketch in over a year – looking up to the shelf where there was a line up of colourful Edinburgh Gin bottles.

Coffee out at the Red Barn

A visit at last to see my sister in York for her birthday. She placed these beautiful lily-of -the valley flowers in a vase that came from Kerry, the part of Ireland that my mother came from.

Window sill in York

In-person classes have resumed at Paintbox – the Art School by the Sea – over in Cockenzie. You can catch the feel of a place in just a few lines – enough to remind you of the day.

Tide ebbing

If I arrive at Cockenzie a little earlier than class starts, I have a coffee from my flask and sketch the view from the car.

Tide flowing

The perspective is skew-whiff on this one below but I loved the crow-step gables against the red roof and bright blue sky.

Side of Cockenzie House

I’ve been over to Cockenzie many times but not stayed to have a look further up the coast so we set Midsummer’s Day aside to go out to Bass Rock. Another few minutes waiting our turn to board the boat and I sketched what was in front of me.

Bass Rock is spectacular! Located just off the coast of North Berwick, it’s high-rise accommodation for 150,000+ gannets! We had booked on an hour trip which took us right up to the side of the rock where we got a great view of the birds and their young chicks.

The only way to pick up where you left off is to turn the page and pick up a pen.

As always, thanks for reading 🙂

Ronnie

Sketching the day

There’s a wonderful art studio here in the Clyde Valley run by Susan McMillan . There’s always a variety of art classes and workshops so I’m delighted to have been invited to give a sketchbook demonstration during two of the six week drawing classes which start in March.

I’ve had a few nudges lately about the value of sketching. To me, the best sketches are those made in 5 minutes or less, sometimes only a few lines with a bit of colour to help make sense of the lines.

Like this thumbnail of the kettle, teapot, jug and mug. I recognise that mug. I still have it and won’t put it through the dishwasher anymore as it’s losing its pattern. It’s one I gave to Dad…

There are some mouthwatering sketchbooks that artists share online and I dream of being able to produce work of such calibre and creativity. That said, I no longer feel so awed by them. They are brilliant because the artists are passionate, they’ve persevered and they have practised, qualities I really admire and try to encompass too.

I’d like to share a day in my life sketched in 2014 when I signed up for a 6 week online course which turned out to be the very first days of Sketchbook Skool. I don’t think this particular class is available anymore but I will never forget it and I made many online friends that have been a great support over the last 6 years.

One of the classes was with Prashant Miranda If you are on Instagram, go and have a look at his work – it makes you smile! It’s thanks to Prashant that I sketched a full day in thumbnails, Easter Monday 2014.

We’ve still got the tortoise (he’s in hibernation) but our cats and Nina are no longer with us – we only said goodbye to Ollie a few weeks ago:-( These sketches are more meaningful to me than any photograph.

I could write a short story for all of these sketches…

…and I could fill a book to go with the image below.

Our old washing machine….

I recall that the plan was to sand down and prime our front bay window that day. Just see how easily we were distracted!

My sketchbooks are probably some of my most treasured possessions. Not so much for the sketches but for the memories that they captured.

If you are hesitating in front of a blank page, here’s what you do. Look at what is catching your eye. Pick up whatever pen/pencil/crayon is nearest. Draw for five minutes. Make a few notes. Add a colour. Don’t judge it good or bad, it’s just your sketch. Close the book and revisit a few years later. It will all make sense one day.

Sketching the washing up a few weeks ago

Thanks for reading.

Ronnie