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I’ve been working on this drawing in my local class taught by David Brammeld. It was only when I began this drawing that I discovered that one of my classmates was a regular Maxims disco diva at this legendary night spot! It used to be known as the ‘Place Mate’ when it was owned by the same proprietors as ‘The Place‘ in nearby Hanley where disco was born and David Bowie and Led Zeppelin once played as pop youngsters.
However, when the dual carriageway was constructed around Newcastle-under-Lyme, Maxims was severed from the life blood of the town centre and now all that is left are these empty shells.
I wouldn’t have given these buildings much thought if it hadn’t been for the comments given by Moya when I displayed some of my drawings in Newcastle Library a few years ago:
‘Stand with your back to St Giles. Look across the dual carriageway to what used to be Maxim’s Night Club. This used to be the old Catholic Club and overspill rooms for St Marys School. Also, it was the Old Pomona pub. When they took Evans sweet factory down behind it, they discovered that there was a courtyard and it had been a coaching Inn….Sammy Bell’s pottery was excavated in the car park/ courtyard area. The base of the Kiln is in the grounds of Newcastle Museum...’
The gloomy front masks a surprising gable window behind with a mosaic of pottery fragments.
From local records, it was bought by Samuel Bell in 1724 for £156 who set up a potworks there and then in 1729, took out a patent for ‘Agate Ware’.
Not knowing these buildings, I walked around the back and peered through the hoardings which now surround the site. I was so surprised by what I saw that I thought they were definitely worth recording as part of my street records. However, a flat elevation wasn’t going to give any idea of the complexity of the roofs and layout so I opted for a sketch perspective instead.
I used Dr Martin’s Payne’s Grey ink on a sheet of Khadi cotton rag paper, a heavy, textured and grainy paper – lovely to draw on.
There are plans underway for a new use for these buildings but it’s unlikely that they will remain in this organic sprawl for much longer. I would be interested to hear of any other insights into the history of these buildings.
Thanks for the comments Moya and thank you for reading.