Tag Archives: Architecture

Acomb: Cats and Connections

93-105 Front Street, Acomb York

I thought it was time to share a look behind the scenes at my drawings of Front Street, Acomb, York – the village where I grew up. Let’s dive into my studio to take a closer look at this first drawing of Front Street, from Nos 93-105.

I start by roughing out the street in pencil then transcribing the outline onto a long sheet of heavy watercolour paper. I’ve always used Fabriano 300gsm acid free 100% archival cotton paper. It has a lovely rough texture. I use a flexible mapping pen nib which gives a variety of line thickness and the paper is sturdy enough to take the paint. It’s also strudy enough to handle a reclining cat!

Clean paws and dry brush…

Josh often lies out beside me as I work – he has done this ever since we first collected him from the North Staffs RSCPA in 2016.

We were told by the RSPCA to be patient as he was terrified of people and it might take him months to come round. That was fine by us, so we brought him home and left him to settle a few metres from my work table.

It was only a matter of days before Josh had to find out what was taking all my attention. I was engrossed in drawing the first of my Eccleshall streets and he couldn’t resist climbing up to see what was going on. Pencils, pens, erasors – all targets for paws. It was our first point of connection and six years on he still jumps up here to greet me.

Mapping the outline of the buildings in ink

I’ve always covered most of the drawing apart from where I’m working; newsprint paper protects it from most splashes and spills and I only move it out of the way to photograph. It’s been a handy working practice!

Mini lions as gate posts.

I’ve used a light fast permanent ink here in Sepia (rather than black or Payne’s Grey) as a warmer base colour to complement the rich red ochres of the brickwork. Front Street is full of soft red brick buildings and red terracotta roof tiles; I use earth pigments for these.

Building up depth of colour in thin layers

Front Street is in Acomb’s conservation area. Acomb has a stong sense of place and history and you can read ten curious facts about it in a clever blog by the cat crime fiction writer James Barrie. Yes, I did say ‘cat’ crime…

Brause dip pen used with a mapping pen nib
The sky added last of all.

As soon as the street is complete, I wrap it in glassine paper and store in a 30cm diameter carboard tube out of harms way until I can scan it and arrange for prints.

Completed original drawing of 93-105 Front Street, Acomb

I released the first set of limited edition giclee prints a few weeks ago and they sold very quickly! The next set are listed in my Etsy Shop and already one of these has sold. I’m only releasing a small print run of the Acomb drawings: 30 prints at 60cm long and 10 prints at 90cm. If you would like to order one – please get in touch.

The four drawings of Front Street, Acomb, as numbered signed giclee prints.

Acomb Library is also stocking some of my greetings cards – a few examples below.

Cards of Front Street, Acomb

As always, thanks for reading.

Ronnie 🙂

The Brampton – Where Broom Grows

Drawing of the Brampton Museum, detail of the red brick elevation, by artist Ronnie Cruwys
Three storeys of beautiful red brickwork

Broom grows outside my kitchen window here in Scotland – I love the intense yellow after the greys of winter.  Broom links me to my next drawing in my red ochre series: the Brampton Museum in Newcastle-under-Lyme. The name Brampton means ‘place where broom grew’ – I wonder if any still grows in the park?

Broom outside my window in Hazelbank

The Museum is located just outside Newcastle-under-Lyme’s town centre in Brampton Park, surrounded by mature trees and shrubs.

Drawing of the Brampton Museum, detail of the eaves and windows, by artist Ronnie Cruwys
Deep overhanging eaves of the Brampton Museum

Long before this became a park, this was common land grazed and cultivated by the town burgesses. Eventually, the field was sold and Victorian villas were built – including ‘The Firs’ in 1855 and ‘Pitfield House’. The gardens of these Villas now make up the present park. You can read more about the history of the park here.

Drawing of the Brampton Museum, Newcastle Under Lyme, detail of the windows, by artist Ronnie Cruwys
Detail of a former doorway
Look out for curious details

Twenty one years after ‘The Firs’ was built, Newcastle’s first museum was born just off the Ironmarket in Lad Lane. This consisted of a public library, a reading room and museum.

It was during the early years of WW2 that the Borough Museum was founded in the Lancaster Buildings. Eventually it moved to its current location in Brampton Park. You can read more about the history here – written by Neville Malkin, 9th June 1976.

The Russian Canon outside the museum
The Market Cross and the Russian Canon

Here’s the drawing in full. You can see the rest of my red ochre series of Newcastle-under-Lyme on my website Drawing the Street or browse my Etsy shop where the originals are for sale (available to buy at the time of writing).

The complete drawing of the side elevation of the Brampton

The second drawing of the Brampton shows the side towards Pitfield House, with some of the garden and more of the wonderful roofscape.

View from the play area side

I’ll sign off with a picture from the 2019 exhibition at the Brampton ‘Capturing the Past’. I was delighted that my collection of street drawings were included in the exhibition – they’ve been part of the Museum archive since 2018.

Thanks for reading

Ronnie 🙂

To Market To Market

pen and ink drawing of Newcastle under Lyme markets and the guildhall
Market Cross with the market stalls behind

Newcastle town centre is alive with markets! Back in the 13th century, there was only the one market day but now markets are held 6 days a week with an additional one held monthly on a Sunday.

This is the second of six new red ochre sketches of Newcastle-under-Lyme town centre – the full set can be seen on my website Drawing the Street.

Chatting outside the Guildhall

The history of the markets is ancient. There’s an in-depth write up on the town’s history on the British History website: there is evidence that a market was held in Newcastle-under-Lyme as far back as 1203 when the market day was changed from Sunday to Saturday, for which the burgesses had to pay a fine to the king. I bet the good folk of ‘Castle didn’t go much on that.

pen and ink drawing of the Guildhall in Newcastle under Lyme by artist Ronnie Cruwys
Southern view of the Guildhall on the High Street

It’s possible that the market day remained unchanged until 1590 when under Elizabeth I’s charter, market day was declared to be Monday and it remained so until the beginning of the 19th century when an additional Saturday was added to meet a larger population.

Here’s the drawing in full.

Market Cross and the Guildhall, Newcastle-under-Lyme

Let’s take a few steps to the left and look at the market cross from a different angle. The market cross was located further up the street in medieval times, opposite the Ironmarket.

Lamps at the top of the Market Cross
Detail at the street

It required some restoration work in the mid-1500s when it’s thought that the five steps were built. Later, in the early 1800s it was moved to the present location when the lamps were added.

Market Cross with the High Street behind

The finished original drawings are set in standard 10 x 12 inch mounts ready to frame and now listed with full description in my Etsy shop.

If you’re looking for a print instead – please get in touch.

Market Cross and the Guildhall

Thanks for reading 🙂

Ronnie

The Old Barracks

Waiting for the X164 bus from Newcastle-under-Lyme town centre back to Whitmore was a sketch moment. My car must have been getting fixed at Ryan’s garage – sketched here the year before.

I keep places/buildings that I find interesting in mind to draw later – in this case several years later! Recently I’ve concentrated on some new sketches in and around the town centre and I thought I would start sharing the first of them ‘The Barracks’, here.

Roofline of the Barracks Workshops

Barracks Road was once named Friar’s Road; the name changed in recognition of the Barracks. It was built in 1855, in red brick ‘Italian style’. This was the headquarters of the 3rd King’s Own Staffordshire Rifle Regiment, which assembled annually at Newcastle for training, until 1880.

You can discover more about the history of this building here on the Potteries website. I’m delighted to hear that it received a grant a few years ago towards window repairs.

Entrance to courtyard

The Barracks workshops is now home to a number of small businesses and has been popping up on various social media posts.

There is also a heritage project running which is looking for people who have memories of the history and uses of this building – more about that on the Sentinel’s website here.

You can see the full set of new drawings on my Drawing the Street website.

The original drawing of the Barracks is available to buy mounted and ready to frame in my etsy shop here .

Thanks for reading

Ronnie 🙂

Trafalgar Place, South Vennel, Lanark

It’s easy to miss but if you look up at the front of the building where Bernard’s Wynd meets South Vennel, you’ll see a carved stone stating ‘Trafalgar Place’.

I only spotted this when I recently began a series of small sketches of Lanark to mark the month long Instagram drawing festival that is #inktober.

Trafalgar Place, South Vennel, Lanark

I hadn’t twigged that there were official prompts for the Inktober drawing themes! I simply began my own theme of drawing the views of Lanark that had caught my imagination – there are so many details that I want to pause a moment over by making a sketch.

Back to the name ‘Trafalgar Place’ on this street sign. The name doesn’t show up on the National Library of Scotland map of Lanark 1847-95 South Vennel. The photo below is a screenshot from the maps.nls.uk website, link above.

I did a search for ‘Trafalgar Place Lanark’ and came up with the ancestry website which records ‘Thomas Marshall Braidwood, born Trafalgar Place, Lanark, 1883-01-06, died 1967’. Braidwood is just up the road from us so a local Lanark connection. Thomas’s parents were Adam Braidwood (born in Douglas 1855) and his mother was Jane Marshall.

I find it interesting to look into the meaning of the names too so I looked up:

TRAFALGAR‘ this word is derived from ‘Cape in southwestern Spain, from Arabic taraf-al-garb “end of the west,” or taraf-agarr “end of the column” (in reference to the pillars of Hercules). The British naval victory over the French there was fought Oct. 21, 1805; hence London’s Trafalgar Square, named in commemoration of it.

Here’s the corner of the building where it meets Bernard’s Wynd. On the map at that time it was called St Bernard’s Wynd.

Corner of Bernard’s Wynd and South Vennel

Perhaps there are Braidwood families that can research further into the history of this building but that is as far as I got…days are short and I want to catch a daily sketch.

I will sign off with another view from South Vennel – here we see the rooftops of the old Lanark Grammar School on Wellgatehead.

Old Grammar School, Lanark – over the roof tops from South Vennel

If you would like to see my drawings unfold each day this month, I am posting them on Instagram @drawingthestreet. I will post a few of them as I go along over here too.

Thanks for reading,

Ronnie

The Tolbooth: from Jail to Jewel of Lanark

The Tolbooth, Lanark

A recent post by Tolbooth Arts has prompted me to look a little further into the history of this significant Lanark landmark. It sits at the bottom of the High Street with the Provost’s lamp (from the 1890’s) standing outside. The lamp is a relatively recent feature in it’s history – the third of the Tolbooth buildings to have existed on this site since the early 1400’s.

Lanark is one of Scotland’s oldest Burghs and back in the 12th century it was a favoured hunting ground for the Kings of Scotland. Over the years, the town has been a creative hotspot for shoes, gloves, saddlery, weaving, oil, and knitwear whilst the Lanark markets traded in livestock and agricultural implements. A walk through the Closes of Lanark give a great insight into the layers of history woven into the town.

Information boards on the wall of McKenzie’s Close – drawings by Kirsten Harris Art

The Town Council would have had a Council Chamber – a ‘Tolbooth’ in which to hold their meetings and to serve as a base for their officials, the treasurer and town officer. The Tolbooth served as a point for collection of customs or charges imposed on all goods brought in to the town for market. The ‘Customer’ or ‘Tacksman’ based here had control of the weights and the ‘Tron’ or public weighing machine located nearby.

The first building referred to in Lanark records was located approximately on this site and is thought to have been built around 1400. By 1571 it was in a ruinous condition and was replaced by a building which survived until 1778 but the Council didn’t have the funds to repair it.

‘Gentlemen of the Tolbooth’ – Volunteers Ernest, Tom and Millie, Christmas 2019

However, this was when the “Gentlemen of the County” stepped in and offered to pay for erecting a new building entirely at their expense with the one condition that they were allowed to use the Upper Hall as a gathering place. This is the Tolbooth building that exists at present.

There is plenty more on the history of the Tolbooth on the Discover Lanark website and on the Canmore website.

In 2017 The Tolbooth Trustees embarked on the redesign of the ground floor unlocking the buildings potential as a gallery, heritage centre and arts hub open daily manned by a dedicated group of volunteers. For the past few years that I have been living near Lanark, the Tolbooth has indeed been a creative hub and I’ve been delighted to have participated in several exhibitions with many happy hours spent sketching inside and out – a few examples follow:

Streetscape opposite the Tolbooth
Richard Price giving a pottery demonstration in the Upper Hall
Lanark’s town pigeons settling down to roost for the night

The Tolbooth Christmas shop has been a growing success over the past few years and artists are well underway preparing new work for this year’s stock, myself included.

Skilled creative work of local artists in the Christmas Shop
Lanark’s town Crier taking shelter in the Tolbooth, wearing Thomson Blue Tartan

Look out for the next exhibition – ‘Clyde Valley – Garden of Scotland’ coming very soon to the Tolbooth – more on that in the next post!

In the meantime, I will sign off with this drawing of the Tolbooth Lanark. It will be in the Christmas shop from November, or get it touch with me or a volunteer at the Tolbooth. Price is £225 framed (20 x 17in) which includes a commission towards the upkeep of this fantastic community hub.

Thanks for reading, Ronnie

Shake a leg for #sot2021

sketch of feet in Stoke on Trent
Feet up Hanley Duck

Funny how waiting in a queue is now something I enjoy. There’s always something to draw. I started with one foot, then a bit of leg then another…

Back to this month. I’ve had a great time sketching in Burslem, the mother town of the Potteries,  starting with this one of Market Place, one of the streets which I’ve already drawn formally a few years ago which you can see here.

urban sketch of the Leopard Burslem
Post Office (new-ish) and the Leopard, Burslem

Good to see the repairs on the Post Office by Horsley Huber Architects looking nicely weathered in.

I then moved down to St John’s Square to sketch the New Inn.

sketch by ronnie Cruwys of New Inn Burslem
New Inn, Market Place, Burslem.

This Bank Holiday Monday the town burst into life with its summer festival “Our Burslem Unites

Stoke Urban Sketchers got together for the event and to enjoy capturing the flavour of the day. Here are a few of mine.

sketch of Burslem School of Art from the Wedgwood Institute
Looking out from those big Wedgwood Doors

urban sketch of burslem

fun and games in Burslem
Fun and Games on the Corner of Queen Street

Burslem Unites urban sketch ronnie cruwys
Hook a Duck – a prize every time

Thanks for reading,

Ronnie

Urban Sketches from the Holloway Road

Any urban sketcher knows that it’s almost impossible to walk past an art shop without looking inside and buying at least a new pencil. So, when I walked past Cowling and Wilcox, on Holloway Road a few years ago, I gave in to a new Daler Rowney sketch book, about A5 size.

I go to London regularly – partly family visits to our son and also to draw some of my Great North Road street drawing series, Holloway Road.

Ronnie Cruwys Urban Sketching Holloway road
Photo outside Cowling and Wilcox thanks to @seanazzillustration

This ancient route has shown up at key points in my life: at school in York, going to University in Edinburgh and now as our son has made his home beside it. I’ve made a start drawing chunks of the buildings along the Holloway Road and the photo above is on one of the sunnier days sketching out Denmark Place preparing for the formal architectural drawing. It’s only when you stop to draw that you notice things like date stones way up the top.

photo of Denmark Place Holloway Road
Denmark Place Built 1863

Back to the sketch book. I decided to keep this one just for sketching during my London visits. Three years later, it’s full!

Page in sketchbook for Holloway Road
Page One dedicated to the Holloway Road

I’d like to share some of the content from time to time. All the sketches are made on location and most sketched in about five minutes. Less than minutes for my wobbly sketches from the top of a bus!

It’s easy enough to spot the ones made in the time taken to enjoy a brew in a cafe.

skethc of Odeon, Tuffnell park, Holloway Road
Window on the Odeon Cinema, Holloway Road

sketch of windows on Albermarle MAnsions
Windows on Albermarle Mansions

pen and ink sketch of Albermarle MAnsions
Detail of a door on Albermarle Mansions

Pen and ink drawing of the Odeon cinema Holloway road
Odeon from La Scelta Cafe Holloway Road

pen and ink sketch of Hollywood Cafe on Holloway Road
View from the Golden Croissant

sketch of the Eaglet pub on Seven sisters Road London
The Eaglet on Seven Sisters Road

print of Holloway Road Denmark Place
Limited edition print of drawing of 81 -129 Holloway Road

More sketches of Holloway Road to follow soon, but if you are in Highbury, pop in to The Only Place For Pictures and see a few more London streets.

Thanks for reading,

Ronnie

 

A Stately Stoke Terrace

Pen and ink drawing of Fenton, artwork by Ronnie Cruwys
Corner of Hitchman Street and Victoria Road, Fenton, Stoke-on-Trent

Hitchman Street holds some interesting connections for me. When I first saw this red brick terrace, I was on my way to to deliver a framed print of an Audlem street to Williams of Audlem. Not knowing anything about the terraces in Fenton, I looked them up when I got home.

I was surprised to find that the land that these houses were built on was purchased in 1765 by the architect William Baker of Audlem. William Baker (‘the first’ as there were a few more to follow) bought ‘the estate and manor of Fenton Culvert, together with pottery, for his second son William Baker II’ (extract from Stoke Council’s conservation area appraisal). However, it was some generations later when William Meath Baker, the great grandson of the first William, commissioned these terraces. It’s all explained in the conservation appraisal.

William Meath Baker had inherited the Baker Pottery nearby and built these houses (and many others) to provide accommodation on a philanthropic model for the workers associated with the Baker Pottery.

red brick terrace in Fenton Stoke on Trent drawn by artist Ronnie Cruwys
Hitchman Street, Fenton

The Baker Pottery has gone now, but the kilns remain.

victoria-road-baker-kilns-fenton
Baker Pottery Kilns visible from Victoria Road

Pen and ink drwing of Victorian terracotta tile rosettes
Another example of the terracotta tiles on the gables.

Looking up these old threads, it never fails to unearth other connections. When I worked as a conservation architect in Stafford, I spent ten years as part of the team looking after the repair and upkeep of the grade 1 listed Chillington Hall, the south wing which was designed by Francis Smith of Warwick in 1724. Francis Smith was the celebrity architect of the Midlands in his day and it turns out that one of Smith’s pupils was the young William Baker of Audlem, learning from the master.

I’d like to think that an appreciation of good design has been passed down the generations. It certainly  shows up here in these terraces.

To see the drawings in full as well as a few more tile sketches, please visit www.drawingthestreet.co.uk

Thanks for reading,

Ronnie

 

And the Sixth town is Fenton

Fenton is one of the six towns of the Potteries, Stoke-on Trent. It’s the one that wasn’t included in the writing by Arnold Bennett. Many of you will know that Stoke is currently in the run up towards the bid for the City of Culture 2021 so I thought I could play a small part and share some of the architecture of the Sixth Town that may fall under the radar.

pencil sketch of architecture in fenton Stoke on trent
Sketching out brick and tiled gables on Victoria Road, Fenton

Driving along Victoria Road, Fenton last year, a row of dark red brick houses caught my eye and I pulled over to take a better look. It turns out that there’s quite a surprising tale of connections for me behind the history of these buildings but more on that next time.

So, fresh from the drawing board, some work in progress pictures of Victoria Road in the Hitchman Street Conservation area, Fenton.

This is a row of terraced houses built on a philanthropic model for pottery workers towards the end of the 19th century. There is a comprehensive write up about the history of the conservation area here.

Look closely at the gables and there are some wonderful terracotta tile patterns.

The thought that has gone into the design of the fronts is consistent, balanced and although intricate, it all adds up to a really attractive terrace.

pen and ink drawing of Fenton Stoke on Trent
                            Ink on paper underway on 36 and 38 Victoria Road.                                           

Back to the drawing now and more about this next time.

Thanks for reading,

Ronnie